![]() However, beginning late in the decade the new styles of Cassini, Chanel and others coexist with the Dior-inspired lines. The New Look silhouette is the prevailing silhouette through the end of the 1950s. The style is practically timeless, and flattered nearly every body type–an appealing trait to the older woman during the 1950s. She favored nubby wools and tweeds and acheived her desired fit through manipulation of the material rather than darts and seams. ![]() ![]() The suit feaured a straight skirt with an almost shapeless cardigan style jacket. The Chanel suit was a direct reaction to Dior’s New Look. Employing some of the same ideas as Cassini, her designs also help to shape the 1960s. When Gabrielle “Coco” Chanel reopened her atelier in 1954, she immediately resumed her place as a major force in couture fashion. The left image above is of one of his dresses designed for and worn by the first lady. He specialized in A-line dresses and suits/ensembles that were generally only slightly shaped though the upper torso. Kennedy, Cassini became a powerful figure in 1960s style offering a youthful, smooth modernity–a stark contrast to the lines of the prevailing New Look. Cassini was known for a sleek minimalism. She chose Cassini and made it a point to wear his clothes almost exclusively to all publicized events that she attended. As her husband’s political career headed toward the White House, Jackie took it upon herself to interview American designers clamoring to become her stylist. Kennedy had a full couture wardrobe filled with the likes of Balenciaga and Givenchy. Before her husband was elected President of the United States, Mrs. Designer Oleg Cassini is most identified with the wardrobe of Jackie Kennedy.
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